Digitalcameras -- Engadget

Canon EOS 7D firmware update cures 'residual image' phenomenon

by Darren Murph posted Nov 6th 2009 at 4:49PM

Say what you will, but Canon's customer service / engineering department definitely looks out for consumers willing to spend just under two large on a new body. Merely days after the outfit made public that a "residual image phenomenon" was negatively impacting EOS 7D images under certain conditions, it has now published a firmware update to wipe all of those woes away. Firmware v1.1.0 specifically "corrects a phenomenon that in images captured by continuous shooting, and under certain conditions, barely noticeable traces of the immediately preceding frame may be visible." Hit the read link if you're looking to put said phenomenon to bed. Or don't. We don't care.

[Via CNET]

Olympus E-P2 official, patches over E-P1 problems and jacks up the price

by Paul Miller posted Nov 5th 2009 at 1:01AM

Functionality-wise there's not much to complain about the new Olympus E-P2, and in fact it pretty much exactly addresses all the primary issues with the E-P1. The main physical difference is an accessory port right behind and below the hot-shoe, which allows for plugging in the new VF-2 Electronic View Finder, or alternatively the EMA-1 audio input module. We would've preferred to have both simultaneously, but we'll take what we can get. In movie mode the camera now supports full manual shutter and aperture control, and the new Continuous Autofocus tracking system works both for stills and for video. The E-P2 has a new black paint job, but otherwise seems mostly unchanged, with just a few effects and a new "iEnhance" color adjustment mode rounding out the new features. Olympus will actually sell both of these micro four thirds cameras simultaneously, but here comes the real kicker: the E-P2 will retail in kit for for $1,099, a whopping $300 more than the E-P1 -- less than the comparable GH1, but still more than an entry-level DSLR. That cash gets you either an ED 14-42mm f3.5/5.6 Zuiko Digital Zoom Lens or a 17mm f2.8 Zuiko Digital Zoom Lens, and both versions come with an Electronic View Finder standard. Check out the full PR after the break.

Gallery: Olympus E-P2 official

Continue reading Olympus E-P2 official, patches over E-P1 problems and jacks up the price

Olympus E-P2 leaks out again, brings along lofty price tag

by Darren Murph posted Nov 4th 2009 at 4:31PM

We heard way back in August that an E-P2 could be on tap for a late 2009 release, and while it doesn't appear that the actual ship date will happen before next year, we'd be shocked if Olympus didn't come clean with its second Micro Four Thirds camera here soon. We've seen leak after leak after leak, and now we're staring at what appears to be a few press images of the not-yet-released camera. Reportedly, the 12.1 megapixel shooter will feature AF tracking, an electronic viewfinder, a black color option, 3fps shooting and a 720p movie mode. Nothing earth-shattering, but an appreciated update nonetheless. We're told that it'll be available across the pond in January for the mildly stunning price of £849 ($1,406), but at least that sum includes a 14-42mm lens. Or so they say.

Sony Cyber-shot DSC-TX1 scores mixed reception

by Vladislav Savov posted Nov 3rd 2009 at 5:45PM

By now you should be thoroughly familiar with Sony's Party-shot-loving and almost unreasonably svelte TX1 compact shooter. Its headline features -- 720p movie mode and better low light performance courtesy of the Exmor R sensor -- have now been put to the test and we're here with the scorecard ready to spill the results. Reassuringly, all reviewers found image quality to be excellent for the camera's size class, and the TX1 even outperformed its peers by keeping noise comfortably in check all the way up to ISO 800. A 1cm (or 0.4-inches for you heretics) Macro mode was another highlight, though criticisms did rain down on issues of lens distortion, a fiddly touchscreen menu that was too prone to accidental activation, and an uncompetitive price point. Of course, your biggest draw here might still be the optional (and spendy) party dock, but the thorough reviews below at least give you the chance to pretend like you're buying this camera for the image quality alone.

Read - Photography Blog review
Read - Wired review
Read - Imaging Resource review
Read - Electric Pig review

Spider Camera Holster system lands for retail (video)

by Thomas Ricker posted Nov 2nd 2009 at 3:02AM

You saw our review, now the Spider Camera Holster is priced and ready for purchase. It'll cost you $110 for the privilege of slinging your prosumer or professional DSLR from your hip; a price that fetches the SpiderPro kit that includes a $85 steel Spider Holster, $30 Spider belt, $7 pin, and $25 mounting plate (each sold separately). Of course, you can use the system with any point-and-shoot camera or camcorder sidearm by clipping or threading the Spider Holster onto your own belt. Just remember: the heavier your gear the greater risk of a trouser-dropping test of your humility -- an issue avoided with the Spider Belt. A two-camera system is also available for $160 for those manly enough to tolerate the befuddled taunts of children. Confused? Then check the video after the break for a quick overview.

Continue reading Spider Camera Holster system lands for retail (video)

RED DSMC specs detailed, prices start at $28,000 for EPIC-X, lower-end Scarlet still vague

by Paul Miller posted Oct 30th 2009 at 7:29PM

Here we are at last. RED has finally dropped the full specs of at least one its "Digital Stills and Motion Cameras." And what did you expect? RED has naturally blown this thing out. The first camera to be released will be the insanely high-end EPIC-X, which will come out in four stages and retails for $28,000 (ouch). A pre-production "TATTOO" version will hit this year, followed by a production model for pre-existing RED owners next year, a release after that for RED trade-ins and then finally a widespread release. Meanwhile the Scarlet 2/3-inch camera (which is much more akin to current video-shooting DSLRs, though it doesn't have a full frame sensor) hasn't been given a price range or a release window, but promises to please with dual XLR inputs, electronic lens interoperability with RED, Canon and Nikon lenses (adapters required) and 1080p shooting at 60 fps. One great function shared between the cameras is the ability to operate the camera with a touchscreen and perform "touch focus tracking." So, now that we've frightened off all but the die-hards with a hint at pricing and some vaguely defined functionality, let's let the bullet points take it away after the break:

Continue reading RED DSMC specs detailed, prices start at $28,000 for EPIC-X, lower-end Scarlet still vague

Canon EOS-1D Mark IV lands for a pre-production hands-on

by Donald Melanson posted Oct 30th 2009 at 3:58PM

We've already seen some sample footage from Canon's new professional EOS-1D Mark IV DSLR (and should be seeing plenty more come December), but a pre-production version of the camera has now turned up at the Canon Pro Photo Solutions 09 show in London, and TrustedReviews managed to get an early hands-on with it. As you might expect, the camera definitely seems to impress in person, with the 1.2 kilogram body providing a feeling of "solid reliability and competence," while its ergonomics also apparently represent a more subtle but welcome improvement over previous Canon offerings. Unfortunately, the folks at TrustedReviews weren't able to share any sample shots, but they did get a chance to try out the camera's 45-point autofocus system, which is said to be "extremely fast," and its tracking function reportedly had no trouble focusing even in dark, low contrast situations with a 400mm telephoto lens. Hit up the link below for a few more hands-on shots and impressions.

Olympus E-P2 tap keeps leaking, new viewfinder now on show

by Vladislav Savov posted Oct 30th 2009 at 10:11AM

Now this is how you build up anticipation for a new product. Start off with just the name accidentally popping up on one of your corporate websites in order to get our imaginations flowing, then leak a teeny tiny image of the optional viewfinder. There's actually a good bit of info here -- you can tell the new attachment (titled VF-2) seems to be vertically adjustable, something missing from the previous generation, but there's also the bogus news that it'll fit only the forthcoming E-P2. The silver lining to that knowledge, though, is that the body we can only partially see must be the as yet unannounced E-P1 successor, which means the new Micro Four Thirds shooter will at least have the option of a black body... which some people care about. Deeply.

Sony Alpha A750 keeps with tradition, leaks out ahead of release

by Vladislav Savov posted Oct 30th 2009 at 7:36AM

~~Minolta's~~ Sony's DSLR range was refreshed only this August, but here we are, hearing rumblings of another new addition to the bunch. Set to occupy the space between the 14.2 megapixel A550 and 24.6 megapixel full frame A850, the imaginatively titled A750 is expected to strike the perfect balance between the two with a 14.6 megapixel full frame sensor. We see what you did there, Sony, very clever. If you ask us, anything over a solid dozen million pixels is overkill and just asking for noise trouble and processing lag, so in fact chopping a third off the A850's pixels could turn out to be quite a boon for overall image quality. Then again, we've no idea what else Sony might sever from its higher offering, though we're likely to find out by CES 2010 at the latest.

[Thanks, David G]

Digital camera inventor Steve Sasson collects honorary PhD, Economist award

by Vladislav Savov posted Oct 29th 2009 at 7:04AM

If there's one thing we know about geeks, it's that they hate having nothing to do. Bill Gates has filled his spare time collecting knighthoods and Harvard degrees, and Steve Sasson -- inventor of the first, and assuredly biggest, digital camera -- is now following in his distinguished footsteps. Sasson perfected a microwave oven-sized 0.01 megapixel prototype while working for Kodak way back in 1975, and has now been awarded an honorary PhD for his troubles from the University of Rochester. The man, the geek, and the legend (all the same person) will be in London later today receiving further recognition, in the form of The Economist's Innovation Award, which commends the "seismic disruption" his invention caused in the field of consumer photography. Funny, nobody gives us any awards for being disruptive.

Read - University of Rochester honorary doctorate
Read - The Economist Innovation Award

Olympus E-P2 leaked in the most insignificant of ways

by Darren Murph posted Oct 29th 2009 at 3:04AM

Olympus' E-P1 micro four thirds camera only hit the market a few months ago, but already it seems as if a successor is inching closer to release. A peek at the outfit's official Chinese website shows a panel and link for a "new" E-P2 camera, though it seems as if the page it's listed on isn't quite complete. Still, we're guessing there's a reason of some sort it's listed, but we're still struggling to find the patience required to see this whole thing through.

[Via 4/3Rumors]

Fujifilm's Remora flash could save those underwater family portraits

by Tim Stevens posted Oct 28th 2009 at 8:09AM

Underwater photography is tough, and, when you're dealing with something less than Caribbean-clear blue seas, finding the right lighting can be near-impossible. Fujifilm's Remora looks to make things a little easier, offering a 60 degree beam of light with a guide number of 20, so it's bright enough even for nighttime cuttlefish documentaries but can be dimmed to save the retinas of sensitive cephalopods. Four AA batteries give you 240 flashes at a depth of up to 180 feet, but at £229 (about $370) only the most serious rebreathers need apply.

Canon's EOS 7D experiencing 'residual image' phenomenon, fix is on the way

by Darren Murph posted Oct 27th 2009 at 5:59PM

Canon's $1,900 EOS 7D DSLR just started shipping a month ago to pros and those who'd like to be, and already the thing is causing all sorts of fits when shooting continuously. In a service notice posted today on the outfit's website, we're told that images "captured by continuous shooting and under certain conditions [can exhibit] barely noticeable traces of the immediately preceding frame." The phenomenon isn't apt to be noticeable with optimal exposure, but apparently a number of Photoshoppers have been irked by the additional (and unwelcome) elements added to their shots. Canon assures us that a firmware fix is on the way, and you can bet we'll point you to a download link as soon as it hits.

[Via DPReview]

Toshiba launches 14.6 megapixel CMOS sensor with backside illumination for cellphones

by Tim Stevens posted Oct 27th 2009 at 9:34AM

Backside illumination may sound like something a proctologist would use in a poorly-lit examining room, but it's actually a re-imagining of the CMOS sensor that brings the photodiodes closer to the action, thus delivering brighter images from smaller packaging. OmniVision and Sony both have their takes on the tech and now Toshiba is putting it into a 14.6 megapixel sensor for cellphones and compact cameras. The company claims light absorption is boosted by 40%, resulting in bright pictures despite the high-density 1/2.3-inch sensor. Early production will begin before the end of the year but manufacturing lines won't start firing en masse until sometime next summer, meaning yet another dark and murky winter of dark and murky pictures.

Pentax's entry-level K-x DSLR receives glowing review

by Darren Murph posted Oct 27th 2009 at 3:56AM

Pentax's K-x has been shipping in various corners of the globe (in various hues) for a hot minute now, but at long last the entry-level DSLR has found itself on the test bench. The good folks over at Tech Radar were able to take the $650 shooter for a spin, and with few exceptions, they absolutely adored it. Image quality was deemed fantastic, and without qualification, that's easily the most important aspect of a camera. Critics also appreciated the build quality, rear LCD and ergonomics, though they did note that the 720p movie mode was "hit and miss." They found it to be a good fit for novices and amateurs, and while they did feel that it was somewhat less comfortable to wield than Nikon's D5000, they still maintained that it'll be a great bargain when the street price falls just a bit. Tap the read link for the full skinny -- but only if you feel compelled.

Update: PhotographyBLOG has just published its review as well.